of photographic material that have already caused me some problems on the check-in. I am no
t sure what will be the result from the combination between the reading of these authors and the realization of an investigation / documental photographic project, but the project is
launched with great enthusiasm.
I am on my way home, to Madeira Island, and I feel nervous as if it was an unknown place. But I will meet a new Madeira, or at least with different eyes and interests, trying to find new, different and transformed places.
The airplane begins to descend. Madeira is down there. From far we can understand the
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feeling that the fifteenth century discoverers had when they saw Madeira (= Wood) for the first time, and from there we can easily guess the origin of the name. An intense tropical vegetation fills and covers the island of green, but I cannot help but noticing the various urban clusters, scattered houses, roads and highways and the megalomaniac construction of the new airport. The constructed confronts the natural on a dual mode. Large scars are open, but the consummation of the act makes the built elements part of the landscape. This new landscape causes both fascination and disbelief and it is as beautiful as ugly. (…)”
09/11/11 – (1st Day)